Impressionism and post-impressionism in the art institute of Chicago Essay

Impressionism and post-impressionism in the fraud institute of Chicago - Essay deterrent exampleBaudelaire says that pleasure ennobles the soul and softens the he artistic production, and a quick glance by means of the works exhibited in the Impressionist verandah of the Art Institute of Chicago brings out a wholehearted agreement with the statement. Pierre-Auguste Renoirs Lunch at the restaurant Fournaise, in Gallery 201 typifies the mood of the sentence w present the artist has portrayed two young men, languorously enjoying the cheer dappled afternoon. Giving them comp all is the young woman with her back overthrowed to the viewer, decked out in the mien of the day, a blue flannel dress. The faces have a look of ease and their casual way of posing reveals that they have had a satisfying day, have enjoyed their lunch and a cigarette in the boaters hand is apocalyptical of the end of their feasting. This scene has been called an image of bourgeois leisure (Impressionism and Post-Impressionism p. 45) and here we see men and women enjoying themselves, which in turn suffuses their selves and softens the rough edges they might have possessed. The men and woman have an easy camaraderie, and they could be any of the gigantic multitudes who escaped the bustle of Paris to spend a day in the country, which was made possible by the new modes of transport like the locomotive.2. In Visions, Hannoosh cited Baudelaire as describing some major techniques (valuing color over line, render movement or perpetual vibration, including air as an element, using minute strokes, etc to make a merge whole) that Impressionism developed fully. Find an Impressionist characterization here that does one of these, identify, and in short tell how it does so. Baudelaires depth psychology of the painting techniques of the Impressionists can be studied, once again, in Renoirs Lunch at the Restaurant Fournaise, where we find a look of unhurried action. Colors play a very important rol e in here as can be seen in the color palette that he used, full of yellows and greens and blues, with a complete dissociation from black and grey. The brushstrokes he has used are light and feathery which reinforces the indolence that is a result of being sated. There are no clearly marked contours, so that the whole purview is softened and the afternoon sun dapples the painting and leaves its mark on the viewer too. There is an energy to the painting because of the minute strokes and a masterly use of light and shadow, seem sometimes on the table and at other times in the fold of the ladys dress. A very striking feature of the painting is that it records prevalent people in an ordinary surrounding and indulging in the most common recreations.5. Choose any painting here that is more RURAL in emphasis than one youve already remarked on. Identify it, and briefly tell how it contrasts with any one thing from Baudelaire, Hannooshs remarks, another Impressionist or Modernist work, or any of the art theory from Freeland.Van Goghs The Poets Garden can be studied as a contradiction of Baudelaires sultry attack on his country in Three Drafts of a Preface when he says that France is passing through a period of vulgarity, when in event we see the flowering of some of the greatest minds in art and literature during this phase. I t is also a contradiction of the subject chosen by the Impressionists, which tended to depict Parisian life most of the time. The two main theories of art, i.e. expression theory and cognitive theory, realize the fact that art should and does communicate. It sends out the emotions, and ideas that led to the creation of the piece and the reasons that propelled the artist to paint it in a plastered way. An artist has the ability to convey ideas in ways which are original, apt and unique to a medium.(Freedland, 161) This painting by Van Gogh was created by him as a decoration for Paul Gauguins bedroom which he would occupy during